November 4, 2016
Mark Lochrie

Update: On 11th November 2016, our live running project homing will be coming to an end. But don’t worry you can still participate through your own mobile devices. You can download apps on both Android and Apple platforms. We have also been working on a RaspberryPI version which we will post the cost up on Github shortly.

To experience the work on Android or iOS


In Conversation Event
Wednesday 9 November, 6.00pm. Free
Harris Museum & Art Gallery, Preston
Homing artist Jen Southern, writer Dominic Smith and award winning Cenotaph architect Charlie MacKeith will come together to discuss the work and the relationship between monuments and collective memory

To find our more about the work we’ve done visit In Certain Places website.

Homing is a sound art work created by artists Jen Southern and Sam Thulin with the Media Innovation Studio at the University of Central Lancashire. The experience begins at the Roll of Honour in the Harris Museum & Art Gallery and moves out onto the Flag Market and the Cenotaph. The work is accessed through headphones.

Homing uses sound to make connections at a distance; between presence and absence, people and place, displacement and home.

The work is based on the original letters of Preston soldiers serving in the front line trenches of World War 1, taken from the archives of Lancashire Infantry Museum. The letters are testament to the attempts of soldiers and their loved ones to keep in touch despite the distances and atrocities of the war. The distance was not only physical; the longer the war continued the greater the distance in life experience between soldiers and those at home. Each letter represents an attempt to bridge that gap and, as much as is said, more is left unsaid or is unsayable.

At the Roll of Honour, a sound composition from the cemeteries at the Somme can be heard, with all the sensory qualities of the local conditions; wind, rain, whistling, stonework. Out on the Flag Market, these sounds give way to fragments of stories from the men in the trenches; a stilted marriage proposal, an enquiry about health, a thank you for kippers sent through the post, a description of daily conditions and accounts of the terrible realities of the conflict.

Approaching the Cenotaph, the soldiers’ words are disrupted by ever intensifying GPS interference. This distant, targeting technology of modern day warfare, creates a sonic fog through which individual voices can no longer be heard, reflecting the difficulty of communication through the constant battle between signal and noise.


Homing contrasts the modes of communication used in WW1 and contemporary war. Voices from the harrowing fight on the front collide with the current technology that emphasises accuracy, immediacy and removal of the body from warfare, but that cannot know the context on the ground.

Homing is a special commission by In Certain Places and Preston Remembers, developed with the support of the Lancashire Infantry Museum, Harris Museum & Art Gallery, Lancaster Institute for the Contemporary Arts and the Centre for Mobilities Research at the University of Lancaster.

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